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Oh how it feels cold, the shivers, the white light, the faces watching the ground
Aimlessly walking to an empty goal which doesn't suffice anyone's safe and sound
Running out of time, but it all goes backwards, nothing feels the same anymore
The capture of sunset, the lack of moonlight, nothing feels right, all to the core
Where is the wine which drenched all thirst, served knowledge and enhanced love?
Why has it become as depressing and destructive as watching the death of a dove?
What has a man become to violate the unseen bounds of what is above everything?
When was the last time one felt so good, was amazed with joys of nothing?
January is so far away, the last time it was said, done, and lived so much, so full
Why did March come with its unwanted rains and snowstorms, has your God become so null?
Or is it crying so much at our lives without a way to stop? have we become so evil?
There is no truth anymore, as there are no seasons anymore, no thing, no more, no sequel
Even all the trees disagree with their Mother, overfed or starving, without any single movement
The symphony of the Earth lost its conductor, and became cacophony, no melodies, all dissonant
And in a heartrending theme which was supposed to be the greatest emotional tune known to all
Was heard noise, silence, a masterpiece of disharmony which fits the world, our soil, our soul
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Déhà - Introspection
26:17
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Déhà & VaathV - Saraph
42:00
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Déhà - Summertime Bliss
20:49
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Déhà Brussels, Belgium
Non-bands material, from every style of music, any kind of music, concept, ... done by Déhà (Musical Excrements) /// Logo by Médérick Infekt
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supported by 69 fans who also own “Summertime MMXXI (Campaign)”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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Life has gone on long enough
by NONE
supported by 63 fans who also own “Summertime MMXXI (Campaign)”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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supported by 56 fans who also own “Summertime MMXXI (Campaign)”
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue.
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A blackened doom concept record about the very real problem of amphibian extinction, “Croak” is a punishing, essential listen.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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Book of Ruination
by Melancholia
featured on Bandcamp Radio Nov 10, 2023
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supported by 54 fans who also own “Summertime MMXXI (Campaign)”
"La mort n'existe ni pour les vivants ni pour les morts" écrivait Épicure et ça reste toujours vrai : personne ne peut en faire l'expérience — sauf NONE, formation américaine qui en a fait son leitmotiv. Les membres du groupe sont inconnus et son premier album n'a pas de nom ; même le paysage sur la pochette est vaporeux. Si le DSBM est déjà d'une tristesse funèbre qui serre le cœur, les passages atmosphériques donnent à entendre les âmes en peine de l'autre côté du voile. Un début magistral...
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